May 18, 2012

Six questions to help your designer frame your words effectively

Tick boxes

This is a guest post from Andy Clayton of printing.com Lincoln & Newark.

So you’ve written – or had someone else write – some great copy all about your business, ready to go into print. The question now is how do you make this into a leaflet / brochure / flyer / booklet (delete as appropriate)?

This is where design comes in, and where things can start to go wrong. The common myth is that design is all about making things look pretty, but this is far from the truth. Design is fundamental to the success of a print marketing exercise: it’s about making the copy work, creating mood, attracting attention and initiating an action. For this reason, the first thing you need is someone who is skilled at acheiving these ends, and the next thing you’ll need is a good, clear design brief.

The following are the six questions I go through with each client before commencing any design work:

Who are you targeting?

Be specific – think about who this is actually aimed at. Every sector is different and designers will know the best way to attract the attention of different people whether it be by industry / role / gender / age. The worst answer any marketeer can hear is ‘everybody’ or ‘anyone, really’ as it is impossible to produce any material that targets everyone successfully.

What is your corporate identity?

You need to supply details of any relevant logos, images, fonts and colours so that the designer can keep to your business identity. Consistency is key in marketing. If you constantly change your image, you will dilute and weaken your message.

How do you wish to appear?

This is about how you want to position your offering in this particular piece; do you want to be seen as traditional or modern? professional or informal? luxury or budget? With this information, your designer can look at the appropriate fonts, images and colours to make sure the perception is correct.

What is the purpose?

Is this aimed at attracting new businesses who are unfamiliar with the brand or is it to give information that has been requested by clients? Designers need to know the purpose of the material so that the design can be maximised to that effect. It will dictate how the content is laid out and the focus throughout the piece.

How are you distributing?

Will you be posting, handing out or taking to an event? It is important that the design is done to the correct specification from the start as it saves time at the end. For example, if its to be posted then you need to remember the rates go up after A5 so therefore you need to either keep to that size or if it’s to be folded then it needs to be designed in such a way that the fold looks right.

What is the expected outcome?

You need to decide what you want people to do, as this defines your call to action. You need to spell out what the readers should do next and the designer needs to know this so that the design can emphasise and draw attention to the preferred action or point of contact

The questions above are there as a guide to help you create the best possible brief. By taking the time to collate the relevant information, you can reduce the time taken to produce designs, ensure your designer incorporates all relevant aspects, and therefore increase your chances of achieving success with the final piece.

Are you a blogger? March is Be My Guest month, and we’re encouraging bloggers from all over the world to swap posts and reach new audiences. See Be My Guest for more information.

Trust me, I’m a cartoonist

trust me - cartoonist taking a brief

Working with creative types can be tough for your average business – how do you brief on something you don’t really understand? In this guest post, cartoonist Colin Shelbourn looks at some of the comments that put strain on the client relationship.

There are a number of ways NOT to commission a cartoon. Here are six things a client might say and the cartoonist’s secret thoughts.

1. “I love your style but could you draw it like (insert famous cartoonist’s name here)?”

Terrific. This means (insert famous cartoonist’s name) wasn’t available or exceeded your budget.

2. “Draw anything you like. It doesn’t matter.”

My brain has just frozen over and all ideas become extinct.

3. “Here’s how I want the cartoon to look and I’ve come up with a joke and a caption and a funny character.”

Well done, you’ve just hired an expensive pen.

4. “This isn’t what we agreed at the start but I’ve just had a better idea.”

Please don’t spoil a beautiful relationship.

5. “I know we said three people but can you also include a football team. And a circus.”

Oh good. All cartoonists like to draw a circus.

6. “Hm, yes. I see. I like the way you’ve drawn that leg.”

Noooooo – be brave. Don’t accept the initial sketches if you don’t like them. Cartoonists prefer happy clients and enjoy the challenge of getting closer to the target.

Cartoons can be political, satirical, whimsical, campaigning, hard-hitting and, occasionally, funny. Cartoonists, on the other hand, are all about happy clients.

Are you a blogger? March is Be My Guest month, and we’re encouraging bloggers from all over the world to swap posts and reach new audiences. See Be My Guest for more information.

Designs on getting some recognition for your creative talent?

Modern design items

The Design, Advertising and Digital Awards 2010 are open for entries from anyone with creative, commercial work to showcase.

Established in 1962 to reward exceptional and inspirational design and advertising work, the D&ADs offer recognition across an enormous number of categories.

Awards are organised into the following areas:

  • Integrated
  • TV & Cinema Advertising
  • TV & Cinema Communications
  • Radio Advertising
  • Music Videos
  • Direct
  • Outdoor Advertising
  • Press Advertising
  • Graphic Design
  • Packaging Design
  • Magazine & Newspaper Design
  • Book Design
  • Branding
  • Product Design
  • Environmental Design
  • Digital Advertising
  • Mobile Marketing
  • Websites

A full breakdown of the list of separate categories can be found in the D&AD Awards catalogue and price guide (PDF).

Entry to each category is individually priced, and all entries must be made by Wednesday 27th January 2010. However, entries made before Wednesday 18th November 2009 will receive a 10% discount.

Visit the D&AD Awards 2010 for more information.

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